Top poetry writing tricks? Assonance is when vowel sounds are repeated in two or more words that are close to each other in the poem and have different consonants. An example of this would be “The octopus flopped on the cot – kerplop!” Several words in the example contain the short “o” sound, but the words contain different consonants.
The best form for your poem will depend on what it’s about and the mood and feelings you want to create in the reader. The length of the line can make the reader go faster or slower, change the look of the poem on the page, focus attention on certain words. You may decide to incorporate other structural elements such as a certain number of syllables per line, a regular meter, or a rhyme scheme. All of this should work with, and contribute to, the poem’s meaning.
What are you writing about Rachel Rabbit White? I’m writing more traditional poems, love poems. Lyrical poems. The first ten are being published as a four-week series for the literary magazine Triangle House, as a weekly installment called “Work For Love.” The artist Casey Kauffmann is doing original art for it. The poems shift constantly between the specter of being “in love,” this beautiful human phenomenon, and questioning romantic love as a site of social complicity that’s deeply socially ingrained and fucked.
How do you stay political in all the different things that you’re doing? Mine is a politics that comes from care, and mutual aid. I think the poems come back to that core. It’s not this idea of self-care, which I think can be very individualistic, and almost selfish. To me, care is community care. It’s keeping an extra space for friends who end up homeless or in between apartments, which often happens when people are criminalized. There’s ways to use your money to maintain spaces of care. Throwing parties to me is care. All these people come together at my parties, and everyone is intellectual and sexy and smart and [they] have all of these interesting things to say, and the girls end up doing a lot of care for each other when they’re coming down from working too much. A lot of what happens during the parties [that I throw] is people intellectualizing what is happening at work and what their burnout is doing to them and how the proximity to money and wealthy people is fucking with their brain. It’s almost therapeutic care that we do for each other. It’s also care to fuck people who aren’t clients and take back sexual energy. See extra information at Poet Rachel Rabbit White.
I met Rachel Rabbit White last December. Her first collection of poems, Porn Carnival, had just come out the month before. I’d read an article about the release party, about some angel dust, a little cake-sitting, a DJ, and then something like “Rachel Rabbit White is a sex worker.” It all seemed glamorous and no-fucks-ish. And this was about poetry. I first got in touch with Rachel because I was working on a project for a magazine, and I needed contributors. I emailed her from the burner phone I’d bought at Wal-Mart the day after I got out. I told her about the project, said I liked her poems, her journalism. She didn’t act stuck up or anything. We talked about books and shit. It came naturally to us. This didn’t go without controversy. Some took issue with her feelings about her own experience, something to the effect of it being unethical of her to exploit her own exploitation. She was even accused of being a “fake” sex worker. Her accusers were not sex workers, so it’s anyone’s guess how they might know enough to tell a fugazzi from a genuine article, but this is neither here nor there. A few porn stars bowed up to troll for White, and that was the last of people saying she was a fake.
Writing ideas in 2021
April 12, 2021
Literature
Comments Off on Writing ideas in 2021
Terence Clear
Top poetry writing tricks? Assonance is when vowel sounds are repeated in two or more words that are close to each other in the poem and have different consonants. An example of this would be “The octopus flopped on the cot – kerplop!” Several words in the example contain the short “o” sound, but the words contain different consonants.
The best form for your poem will depend on what it’s about and the mood and feelings you want to create in the reader. The length of the line can make the reader go faster or slower, change the look of the poem on the page, focus attention on certain words. You may decide to incorporate other structural elements such as a certain number of syllables per line, a regular meter, or a rhyme scheme. All of this should work with, and contribute to, the poem’s meaning.
What are you writing about Rachel Rabbit White? I’m writing more traditional poems, love poems. Lyrical poems. The first ten are being published as a four-week series for the literary magazine Triangle House, as a weekly installment called “Work For Love.” The artist Casey Kauffmann is doing original art for it. The poems shift constantly between the specter of being “in love,” this beautiful human phenomenon, and questioning romantic love as a site of social complicity that’s deeply socially ingrained and fucked.
How do you stay political in all the different things that you’re doing? Mine is a politics that comes from care, and mutual aid. I think the poems come back to that core. It’s not this idea of self-care, which I think can be very individualistic, and almost selfish. To me, care is community care. It’s keeping an extra space for friends who end up homeless or in between apartments, which often happens when people are criminalized. There’s ways to use your money to maintain spaces of care. Throwing parties to me is care. All these people come together at my parties, and everyone is intellectual and sexy and smart and [they] have all of these interesting things to say, and the girls end up doing a lot of care for each other when they’re coming down from working too much. A lot of what happens during the parties [that I throw] is people intellectualizing what is happening at work and what their burnout is doing to them and how the proximity to money and wealthy people is fucking with their brain. It’s almost therapeutic care that we do for each other. It’s also care to fuck people who aren’t clients and take back sexual energy. See extra information at Poet Rachel Rabbit White.
I met Rachel Rabbit White last December. Her first collection of poems, Porn Carnival, had just come out the month before. I’d read an article about the release party, about some angel dust, a little cake-sitting, a DJ, and then something like “Rachel Rabbit White is a sex worker.” It all seemed glamorous and no-fucks-ish. And this was about poetry. I first got in touch with Rachel because I was working on a project for a magazine, and I needed contributors. I emailed her from the burner phone I’d bought at Wal-Mart the day after I got out. I told her about the project, said I liked her poems, her journalism. She didn’t act stuck up or anything. We talked about books and shit. It came naturally to us. This didn’t go without controversy. Some took issue with her feelings about her own experience, something to the effect of it being unethical of her to exploit her own exploitation. She was even accused of being a “fake” sex worker. Her accusers were not sex workers, so it’s anyone’s guess how they might know enough to tell a fugazzi from a genuine article, but this is neither here nor there. A few porn stars bowed up to troll for White, and that was the last of people saying she was a fake.